Frida Kahlo: Mad Trot!

Hey! It’s International Women’s Day! So let’s talk about artist Frida Kahlo, and why feminists like her.

Frida Kahlo was a Mexican artist, notable mostly for her graphic depictions of the painful aspects of her life, and for surrealist and colourful self-portraits. Throughout her life she experienced numerous physical and psychological traumas which she documented in her work. She was considerably ahead of her time in a number of aspects of the way she lived her life. Through her skill, she brought women’s issues to the forefront of a male-dominated art world, paving the way for many future female artists. She was also a mad Trotsky-shagging Trot and had an unashamedly revolutionary spirit. Though her physical traumas set her back and haunted her, she still managed to create some incredible art, cope and learn to give as good as she got with an abusive and badly behaved husband (despite her obvious love for him), and leave a lasting legacy in Mexican, female and art history. And that’s what makes her a feminist icon.

She was born in Mexico in 1907, but later in life she went around telling people that she was born in 1910, the year of the start of the Mexican Revolution. Clearly, Frida saw her life as defined by her revolutionary consciousness, and that’s pretty cool. She was of German, Spanish and Amerindian descent.

She grew up surrounded by women, and was one of only 35 women admitted to her fancy school. She wore long, colourful skirts all the time to cover up a leg that hadn’t formed properly as the result of polio, and always walked with a limp. Despite this she excelled at school and wanted to be a doctor. When she was 18 however, her bus crashed, breaking her spinal column, her collarbone, her ribs, her pelvis, her leg, her foot, and an iron rail pierced her abdomen and uterus. This left her permanently unable to have children, resulting in several traumatic miscarriages which she dealt with through her art in later life. She had to spend months in bed in a full body cast, during which time she had an easel fixed to the bed and began to paint. She experienced a lot of pain and constant operations throughout her life, the pain of which is best expressed through her self-portraits:

'The Little Deer'

'The Broken Column'

It is clear from Frida’s paintings that she believed that she was weak and not entirely beautiful, although she was – she exaggerates her facial hair in nearly all of her self portraits, and in portrays herself as incredibly tiny and dainty next to her admittedly large husband, Diego Rivera. She exaggerated what she perceived as her flaws, and at the same time she took ownership over her appearance, her body disfigurements, and her pain, and reclaimed them as something quite beautiful in her art. She did what I’m sure a lot of us would like to do and say ‘fuck you, I don’t care if I have hair where you think I shouldn’t, this is what I look like, I’m a strong Mexican woman, look at what I can create and do’.

Part of that reclaiming was a healing process for herself, in coming to terms with the miscarriages that her bus accident caused her to have. The paintings depicting this might be upsetting for those who have suffered miscarriages or are sensitive to graphic images, so I’ll just link to them here. Frida wanted more than anything to have a family with her husband, so the pain of her injuries served as a constant reminder of the happiness she was denied.

During her lifetime, Frida Kahlo was mostly famous as the wife of Diego Rivera, who was a very successful artist at the time, and the two were well known for their communist activism and turbulent/abusive relationship. Posthumously however, Frida Kahlo’s success has far eclipsed that of her husband, and she is now perhaps the most well known female artist ever. Frida loved Diego very deeply (as her art and writings show), but their relationship was marked with constant arguments, constant adultery on both parts, and some very bad and abusive behaviour from Diego when it came to his intense jealousy over her relationships with other men, and his affair with one of her sisters, which caused Frida to divorce (then remarry) him. What makes Frida very ahead of her time (remember she lived from 1907-1954) was her open bisexuality and affairs with women, including African-American singer and civil rights campaigner Josephine Baker.

Another of Frida’s famous affairs was with none other than the exiled Leon Trotsky, shortly before Stalin’s henchmen set aboot him wi an icepick. Frida had long been a commie, being a member of the Young Communist League and the Mexican Communist Party. Their affair resulted in Diego Rivera falling out with Trotsky, made Trotsky’s wife very upset, and caused Trotsky & wife to move out of Frida & Diego’s house and into another ’safehouse’ where he promptly met his bloody end.

Frida herself died at 47, after yet more pain and further operations, including a leg amputation due to gangrene. She left behind a vast legacy of beautiful paintings, revolutionary spirit, and her former childhood home which she later shared with Diego and Trotsky, the Blue House, is now a museum of her life and art.

There’s a pretty decent film about her life starring Salma Hayek as Frida, which you can download here.

A parting message for International Women's Day

This weekend you’ve got a unique chance to hear a heroic leader of the struggle for ecosocialism in Latin America speak in Glasgow and Edinburgh.

Hugo Blanco has for decades been a key figure in fighting for the transformation of society in his native Peru, and for the rights of indigenous peoples. On Friday (Oct 15th) he’s speaking at an SSP rally for ecosocialism, which is starting at 7.30 in Partick Burgh Halls. Then on Saturday (16th), Edinburgh Uni Socialist Society is hosting a dayschool on ecosocialism and Latin America, featuring a whole raft of workshops on struggles from across the continent and Hugo, again. It’s on in the Dining Room of Teviot House, Bristo Square from 10.30 – 1.

As a warm up for these exciting events, we thought it might be a good idea to give you an idea just who Hugo is, so that you don’t miss the chance to come and hear him speak.

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Today we’re reviving a regular feature you used to see the in the classic (pre-blog, paper only) version of Leftfield.

“Who the Hell is…” brings you the low down on key folk who’ve tried to make a difference to the world in the past. Previous people we’ve profiled have included Delegate Zero/Subcommandante Marcos, and Che Guevara.

Today, we’re asking: Who the Hell is… Albert Einstein?

That might seem a bit of a redundant question, since he’s one of the most famous scientists to have ever lived. Everyone has heard of him, and his name is like another word for “really really clever.” What’s less well known (but shouldn’t surprise you considering how smart he was) is that he was a lifelong socialist.

In science, Einstein completely revolutionised the study of physics, with his theories of relativity, beginning of quantum mechanics and explanation of the wave-particle duality of light, to name just a few of his massive contributions. His work was so important he was to become a world wide celebrity decades before celebrities became as commonplace as today. He used his international fame tirelessly to fight for social justice and for the rights of people who had been wronged by racism, the capitalist system and right wing politics.

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